Compare ticketing platforms from ES, FR, IT, NL and beyond on the criteria that matter: commissions, data ownership, CRM, cashless. Data verified at the source, no pay-to-play.
Explore the map to see where ticketing platforms operate. Click a marker to open its profile.
A go-to marketplace for leisure and entertainment events in Portugal, particularly in the festival, university party and music segments, with strong coverage across Lisbon, Porto and the regions.
A valid option for promoters in Spain seeking a Barcelona-based ticketing tool focused on local events.
A ticketing and cultural calendar platform backed by Moldova's leading digital group.
A ticketing software solution oriented towards venues and organisations in Portugal that need an omnichannel platform adaptable to different event types, with a focus on in-person sales and access control.
A Moldovan ticketing platform with institutional backing, focused on cultural and entertainment events.
A differentiated proposition for organisers who prioritise audience intelligence and data-driven marketing beyond pure transactional ticketing.
A cultural ticketing platform with strong institutional roots in Galicia: solid for steady venue programming, limited outside that circuit.
A leisure channel with a large user base and a discount culture: a good fill-up lever, with little control for the promoter.
An established platform in North American performing arts with timed entry for museums; in Europe it competes at a disadvantage against locals.
A solution reserved for major venues and top-tier festivals tied to the AEG ecosystem. Not a self-service platform for independent promoters.
A SIAE-certified ticketing software solution for Italian promoters who need to manage both online and on-site sales under a single certified platform.
A Spanish ticketing platform based in Madrid focused on nightlife and events, suited for promoters looking for a straightforward solution.
A specialist solution for event promoters who prioritise attendee experience with RFID/NFC cashless payments and advanced credential management. Particularly suited to job fairs, congresses and multi-day festivals.
One of the few Swiss options that treats buyer data as the organiser's asset; its scale is small next to Ticketcorner.
One of Latvia's most long-standing ticketing marketplaces, with a lengthy track record in the Baltic market.
A solid option when access control and accreditation matter more than the sales channel, with security certifications that are rare in the sector.
The primary choice for ticket buyers in the Latvian market.
The go-to ticketing platform in Bulgaria, with a strong presence in both B2C sales and B2B services for event organisers.
A robust platform for the Turkish market with growing European reach; suitable for promoters active in Turkey and Eastern Europe.
Romania's longest-standing ticketing platform, now part of the PLG group's pan-European expansion strategy.
One of the few Romanian options that hand the customer base back to the organiser and allow campaigns from within the platform.
A solid choice for promoters in Turkey looking for self-managed ticketing with a variable-cost model.
A veteran box office infrastructure provider for Polish cultural institutions: modular and solid, with little focus on independent promoters.
The benchmark in the Turkish market under the Ticketmaster umbrella; the obvious choice for major international promoters touring in Turkey.
The primary reference in the Lithuanian market for purchasing tickets to concerts, theatre and sports events.
A well-established option for ticket buyers in Sweden, though its reach is limited to the national market.
A low-cost proposition for independent theatre and the Swedish local scene; its small catalogue limits its value as a discovery channel.
A practical solution for the Danish market, backed by Ticketbutler's infrastructure.
One of the strongest Danish options by volume and public reputation; its reach remains national.
A solid option for UK and Scandinavian promoters looking for marketplace visibility alongside ticketing tools, with no monthly subscription.
A fixed-commission online ticketing solution for all types of organizers, with integrated cashless, CRM and access control.
A direct competitor to Europe's cashless providers with a terminal that takes almost any payment method; its base remains North American.
A Dutch solution with solid integration between ticketing and access control, suited to organisers who need both functions from one supplier.
The go-to platform for large events in Portugal, backed by Altice and the country's biggest concert venue.
An essential reference for buying tickets in Portugal, with the country's largest physical distribution network.
A clear proposition on owning the channel and the data: the event sells on your site, not on someone else's marketplace.
A good fit for repeat programming and bundled offers; its lack of corporate transparency warrants checks before signing.
A good fit for professional congresses and summits where structured networking between attendees is a core deliverable.
An accessible option for promoters looking for self-managed ticketing in the Turkish market, particularly in the Aegean region.
A low-cost, no-strings option for independent events; its weak point is the lack of transparency about the company and its size.
A solid option for promoters who want to leverage cashless spending data within their CRM and marketing strategies.
The most complete option in the Nordic market for organisers who want to eliminate manual accounting work from registration through revenue reporting, without paying a monthly subscription.
A versatile option for UK organisers who want full control over their fees with the software plan, or who prefer to delegate payment management through the agency model at competitive commission rates.
A hybrid solution with automated ticketing certified by the Italian Revenue Agency, well suited for organisers with SIAE compliance requirements.
A hybrid platform active at festivals, concerts and sporting events across Italy, with expertise in access management and multichannel distribution.
A Spanish benchmark in heritage ticketing: strong on timed-entry capacity and international distribution, less suited to live music.
A very effective channel to capture international clubbing tourists in Ibiza; a narrow geographic niche with no use outside that circuit.
A strong choice for large Dutch promoters looking to consolidate ticketing, cashless and communications under one listed provider.
A promoter-born ticketing platform, well established in Catalan venues and festivals, with in-house software focused on giving organisers control of the sales process.
The undisputed reference in the Polish events ecosystem for its scale and coverage; less specialised in SaaS promoter tools.
An established reference for classical cultural events in the Czech Republic; less suited to mass events or modern festivals.
A practical option for small and mid-sized clubs that need to sell season tickets without building infrastructure; its weak point is corporate opacity.
The first choice for live music promoters in Ukraine, though with a variable service fee that impacts sales margins.
A robust solution for theme parks, attractions and large events that need comprehensive operations management beyond pure ticketing. The Peek acquisition broadens its reach but adds roadmap uncertainty.
A strong fit for attractions and museums that want to maximise revenue through dynamic pricing and unify all sales channels on one platform.
An interesting SaaS option for promoters in Hungary; HQ and fee data not directly confirmed from public web at review date.
A verified local SaaS solution for promoters in Croatia; company and HQ confirmed directly on the official website.
A strong choice for promoters and venues that want to unify reservation data with their CRM and email marketing strategy.
The reference marketplace in Europe for promoters seeking maximum distribution in the German-speaking and broader European market. Best suited to large-scale events and venues that prioritise reach over autonomy.
A Serbian platform focused on concerts and cultural events, with reach across several Western Balkans cities.
France's most established cultural marketplace: strong visibility and mature distribution network, though without a self-service SaaS model for independent promoters.
Well-suited to the UK attractions and leisure market, with a native EPOS and an integrated suite designed for physical venues.
A convenient option for end consumers in Italy thanks to its extensive physical collection network; the platform's focus is primarily B2C.
An excellent choice for live music promoters who want to leverage DICE's user base and connect it with professional CRM and marketing tools.
A veteran technology provider rather than an entertainment ticketing platform: relevant where tickets sit alongside transport or public services.
An established cashless solution for events in Italy, particularly well suited to festivals and large-scale events that need on-site cashless payment management.
The most relevant ticketing option in Albania, with an active presence in the country's events scene.
A well-established Serbian ticketing platform with broad national coverage and a solid user base.
A solid choice for festival promoters seeking a 100% French cashless solution with POS integration, NFC wristbands and real-time dashboard.
The go-to marketplace for reaching Polish audiences, backed by the Allegro group. Recommended for promoters seeking maximum visibility in Poland.
An island ticketing platform with genuine archipelago-wide coverage; its strength is knowledge of the Canary circuit, not technology.
A reference platform in the Latvian ticketing market, with a verified headquarters in Riga.
A lightweight and accessible solution for Swedish promoters running low-volume events.
An accessible option for Polish organisers starting out: online and offline sales with streaming built in, without the scale of the country's leaders.
A mass distribution channel backed by a highly trusted retail brand: built to sell, not to manage the event.
Spanish ticketing platform for cultural and leisure event promoters, integrated with Nevent to sync audiences and automate marketing campaigns.
A Romanian ticketing platform integrated into the PLG ecosystem, Central and Eastern Europe's largest ticketing group.
A generalist marketplace backed by Europe's largest ticketing group: audience reach that is hard to match, at the cost of owning the buyer relationship.
A generalist self-service platform present across several regions; the opacity about the company behind it undermines trust.
One of the most recognised SaaS ticketing platforms in Spain (13K searches/month), aimed at promoters of cultural, sports and leisure events.
The dominant ticketing SaaS solution in the Croatian and Southeast European market.
A Spanish ticketing alternative that gains significant value when connected to Nevent CRM, turning sales data into actionable marketing campaigns.
One of the few US operators with a real European structure: proven volume and experience, though not a household European brand.
An aggregator platform for Bosnia and Herzegovina that centralises the country's event offering in one place.
A useful self-service tool for Ukrainian organisers who want to sell on their own in a market dominated by large marketplaces.
A complete Danish suite for organisers who also sell merchandise or run season passes, with a strong fit for clubs and associations.
A Romanian option with an unusually broad payment range, crypto included; the added tax consultancy sets it apart.
The global benchmark by reach and brand recognition, though its combined fees are higher than specialist alternatives.
A solid choice for promoters who need an all-in-one white-label solution for ticketing, virtual events, and memberships — especially on the Pro plan where the 3% fee is competitive.
A strong choice for promoters in Switzerland, Germany and Austria looking for a flexible SaaS with no monthly fee and a transparent freemium model.
A no-cost option for organisers with support in four languages: useful for cross-border events in the Dutch-German corridor.
A comprehensive event management platform in Finland with a strong track record as a market pioneer.
CTS Eventim's foothold in the Bulgarian market, supported by Europe's widest ticketing distribution network.
The self-service option from European ticketing giant CTS Eventim. Ideal for promoters who want easy access to the Eventim brand and network without complex contracts, accepting a slightly higher commission than independent alternatives.
Romania's most established CTS Eventim marketplace, combining strong local presence with the backing of Europe's largest ticketing group.
The undisputed leader in Slovenian ticketing, with the country's broadest physical distribution network and full CTS Eventim group backing.
A robust option for organisers seeking CTS Eventim's technology and distribution network in a self-managed B2B format, particularly in the DACH and Benelux markets.
Now part of the Weezevent ecosystem, Weeztix is a strong option for Benelux promoters seeking low per-ticket cost with no contract lock-in.
An Austrian self-service alternative with seating maps and free events at no commission; its claim to European leadership runs ahead of its actual size.
An accessible SaaS option for local promoters in Malta who want independence and control over their ticket sales.
A lightweight tool for training and niche events with no event cap; far from the muscle of Poland's entertainment ticketing platforms.
A reliable choice for Irish market promoters looking for an all-in-one solution without complex technical requirements.
A Belgian proposition for organisers looking for an agile tool in the Belgian market, with local support and no technical complexity.
A young alternative to Romania's duopoly: fine-grained control of price categories and seats, with the small scale of a regional startup.
fanSALE is the most trustworthy resale option within the EVENTIM ecosystem for the DACH market. Its CTS Eventim backing provides legitimacy compared to independent secondary markets. However, it remains a resale marketplace: prices can exceed face value and combined fees (seller + buyer + shipping) are significant. It is not relevant for organisers seeking their own ticketing platform.
A strong choice for nightclub and student event promoters in the UK who need an integrated reps network and marketing tools without a monthly subscription.
A practical, low-cost solution for town festivals, peñas and small festivals that want to remove cash from the bar without a complex setup.
A well-established all-in-one cashless and ticketing platform in Central Europe for festivals aiming to go cashless on site.
A useful supplier when a festival needs wristbands, cashless and sales from a single vendor; ticketing is a complement, not the core business.
Urban experiences and events marketplace based in Madrid, strong in immersive experiences and leisure tourism, integrated with Nevent for promoters using both platforms.
A solid choice for promoters in the Baltic states and Northern Europe who prioritize simplicity and transparent pricing with no fixed fees.
A go-to platform in the UK nightlife and student events segment, with competitive fees for student and charity events.
An unusual per-order fee model that makes multi-ticket baskets cheaper; a simple product with hands-on support.
France's largest ticketing distribution network: ideal for promoters seeking maximum visibility in the French-speaking market, though no self-service white-label solution for smaller organisers.
Spain's leading professional ticketing platform for nightlife, integrated with Nevent for attendee data synchronisation and marketing campaign automation.
An all-in-one proposition for festivals that want a single event operating system: tickets, access, cashless and data under the organiser's own brand.
A veteran Estonian platform in event management, with a focus on access control and the digitalisation of the organising process.
An established Spanish ticketing solution, suitable for promoters looking for a no-frills tool with local support.
A recognised primary ticketing agent in the UK for concerts and festivals, with broad venue coverage and a loyal audience in the live music segment.
A hybrid Spanish ticketing platform combining direct promoter sales with marketplace visibility, oriented towards live music and leisure.
A niche option for the live concert scene in Serbia, anchored in Novi Sad and Belgrade.
A European secondary resale marketplace for concerts and sport; useful for buyers seeking sold-out tickets, not for event organisers.
A globally expanding cashless platform, particularly strong in the Middle East and the United Kingdom. Suitable for organizers looking for an integrated cashless, access and fan engagement stack.
One of the few Benelux options with ISO 9001 and 27001 certification: a serious argument when clients demand formal guarantees.
A regional Italian marketplace suited to promoters needing certified ticket distribution in the Neapolitan and southern Italian market.
A solid choice for promoters seeking visibility in the Polish market through a high-intent event discovery channel.
The most complete platform in the Czech market: essential for cultural event promoters seeking visibility in the Czech Republic and neighbouring countries.
GUTS Tickets no longer operates as an independent platform. Since the CM.com acquisition in 2025, the domain redirects to cm.com/ticketing. See CM.com Ticketing to access the inherited blockchain technology.
This is not a commercial platform open to private promoters, but the government's exclusive ticketing system for Greece's archaeological and museum heritage. Essential for travellers; not relevant for private event promoters.
A 100% free ticketing platform for French non-profit associations, funded by an optional voluntary contribution from buyers.
A solid alternative for Norwegian organisers who prioritise simplicity and quick setup.
A ticketing management and sales system geared towards Italian promoters looking for a technology solution for small to mid-sized events.
The reference ticketing channel for promoters wanting to reach Romanian audiences, with the widest local geographic reach and physical sales points across the country.
A festival operations provider more than a pure ticketing platform: strong on cashless and on-site access, with mainly national reach.
A sports specialist covering the full operation: season tickets, access and cashless from one vendor, which generalist ticketing platforms do not solve.
An omnichannel option for venues that need a robust physical box office: strong on hardware, less modern on the online buying experience.
A top-tier RFID platform for large festivals requiring robust access control and a cashless ecosystem proven at the world's biggest events.
A solid option for promoters who need national coverage in Ukraine beyond the capital.
Moldova's go-to ticketing platform, with broad national coverage and added-value tools such as cultural vouchers.
A solid local marketplace for the Romanian market, with a verified operating company in Bucharest; commission rates not published.
Janto is a solid option for promoters in Spain looking for an owned ticketing software with a long track record in the national market. Its SaaS model provides full control over sales without ceding commissions to a marketplace. Public information on pricing and fees is limited, so contacting Impronta directly for a personalised quote is recommended.
The essential distribution channel for promoters looking to reach Hungarian audiences, with national coverage and a presence in Slovakia through interticket.sk.
Lithuania's ticketing reference with a verified HQ in Vilnius and wide coverage of national events.
The undisputed leader of the Ukrainian market; the logical choice for promoters active in Ukraine.
A regional, hands-on option for associations and mid-sized events with no fixed fee; its scale is small next to Austria's major operators.
The dominant option in the Finnish university ecosystem; less relevant outside that niche.
A solid choice for promoters in Spain who prioritize data ownership and a native CRM.
A mid-sized Swedish cultural channel: useful for theatre and steady programming, without the discovery power of the big marketplaces.
A complementary channel in the Polish market for promoters looking to diversify sales, though with lower brand recognition than the sector leaders.
A veteran Polish operator with real physical distribution: useful to reach offline buyers, with a less modern product than newer SaaS tools.
The reference for online ticket sales in the Bosnian market.
A trusted channel for audiences in northern Spain, especially less digital ones; its value is the banking brand, not the ticketing product.
A solid platform for theatres and live entertainment experiences that want full control over their ticketing, with dynamic pricing and high conversion rates built in.
A solid choice for event organisers in Finland who value local-language support.
A clear proposition for smaller cultural venues: published commission, daily payouts and full data ownership, with no lock-in.
A B2B solution with a long track record in the Italian SIAE ticketing market, with strong adoption in mid-sized theatres and cinemas.
The essential channel for any promoter operating in Luxembourg, given its institutional and cultural leadership position in the country.
A reference platform in Northern Europe for B2B corporate events with native analytics and marketing integrations.
A well-established option for the Italian presale circuit, especially in the nightlife and live music segment.
A solid choice for French cultural venues seeking an all-in-one platform with native CRM and subscription management.
A Galician ticketing platform with a differentiating angle: bundling the ticket with travel and accommodation for events that require a trip.
More of a tourism booking engine than a live music ticketing platform: a good fit where timed capacity and guided visits are involved.
A national sales channel with a broad catalogue, held back by a mediocre public reputation among buyers that is worth factoring in.
The reference for ticket purchases in the North Macedonian market.
A well-established platform in the Slovenian market serving both promoters and the general public.
The essential platform for promoters looking to reach the Greek market and its network of 5,200 partners across southern and eastern Europe, backed by Viva Wallet's financial strength.
A Turkish marketplace with an innovative user-experience proposition; suitable for promoters seeking visibility in Istanbul's digital ecosystem.
A niche pan-European marketplace mainly oriented towards Eastern Europe. Relevant for ticket buyers in markets such as Estonia, Ukraine and Poland.
A marketplace specialised in live music with a real, active catalogue; its value lies in an audience already looking for gigs, not in management tools.
A good pick for Swedish promoters who want to pay only when they sell, with no subscription lock-in.
A ticketing platform for cultural and leisure events integrated with Nevent, aimed at promoters and organisations seeking simplicity and data ownership.
The ideal platform for festivals and events that want to consolidate white-label ticketing, cashless payments and access control in a single tool without relying on multiple vendors.
A niche platform for the Austrian market covering cultural events and clubs. Well suited to promoters seeking a local partner with deep experience in the Viennese event ecosystem.
Not an off-the-shelf ticketing platform but a custom build: it makes sense if you already sell through your own ecommerce and want no middlemen.
A SaaS option for Serbian promoters seeking independence in ticket management.
The entry point into Austria's Eventim ecosystem: distribution reach that is hard to match, in exchange for playing by the group's rules.
The essential reference for event promoters in Austria seeking maximum national distribution. The strength of the CTS Eventim network guarantees country-wide coverage.
A useful rarity in the Slovenian market: it handles the mandatory fiscal register and cashless in the same system as ticketing.
A professional Spanish platform based in Barcelona combining ticketing, native CRM and cashless; integrated with Nevent for audience synchronisation.
A modern Hungarian alternative to Jegy.hu's dominance: it automates the full cycle, though with far less catalogue and brand awareness.
An institutional Estonian ticketing platform tied to Tartu Kontsert's cultural programme, with a well-defined niche in the local market.
A solid choice for Italian organisers seeking a free online sales tool with SIAE support, no monthly fee and transparent per-ticket fees charged to attendees.
An infrastructure provider before a ticketing platform: relevant when turnstiles, barriers and validation matter more than the sales channel.
The mandatory channel for elite Turkish football; not applicable to general event promoters.
A modern proposition with a strong European identity for organisers who value the mobile experience and data sovereignty in the Belgian and French-speaking markets.
A mature and well-established solution for mid-sized performing arts organisations seeking a comprehensive integrated system with global reach and deep roots in the cultural community.
Ideal for large European festivals needing a scalable white-label solution and willing to negotiate bespoke terms. Not suitable for small events or self-service promoters.
A custom build rather than an off-the-shelf product: it fits if you want your own system and accept the cost of building it.
Its edge is not ticketing but collection: funds land immediately and it inherits the fintech's many payment methods.
The undisputed reference for ticket buyers in the Estonian market.
Estonia's leading ticket sales network, with broad coverage and institutional presence in the country's cultural sector.
An established online ticketing platform in Estonia's competitive market, with a presence in Tallinn.
A well-established French SaaS ticketing solution for small and medium cultural producers who value local support and operational independence.
A local solution that handles Croatian fiscalisation alongside the ticket; its reach does not extend beyond that regulatory frame.
A SIAE-certified ticketing service for the Italian market, focused on cultural events in the south of the country and an automated distribution model.
The undisputed reference in the Slovak market for large-scale events; less flexible for promoters seeking full customization.
An excellent choice for technically-minded promoters or complex events that require maximum customisation and full code transparency.
Europe's leading cashless solution for major festivals and sporting events. Ideal for organizers seeking to go cashless and deliver a seamless NFC payment experience.
A relevant option for promoters wanting to leverage the traffic and distribution network of Greece's largest tech retailer, with Viva Wallet's financial strength underpinning payments.
A solid choice for German promoters of cultural events who need combined online and physical distribution with no upfront investment, particularly in the Ruhr area and Rhineland.
Worth considering for promoters in Spain who prefer a local solution with native Spanish support.
The natural choice for fringe festivals and large performing arts events that need a scalable white-label solution with a long track record in the sector.
A French proposition with an integrated marketing focus for organisers who want to combine ticketing and promotion in a single tool.
A sound technology intermediary for venues seeking an extra channel; the organiser remains responsible for the event and the commercial relationship.
A strong choice for DACH organizers who want visibility on the local German marketplace and access to a physical sales network alongside online ticketing.
Essential for electronic music promoters who want to reach a community of 6 million enthusiasts. It does not compete with generalist solutions: it is the standard for the club/electronic festival ecosystem.
A global benchmark for parks and leisure centres: it covers the whole venue operation, not just ticket sales.
Its hook is data ownership and accelerated payouts; for Europe it remains a peripheral option against local operators.
A robust choice for large European cultural and sports organisations that need a fully white-label ticketing solution backed by a well-established Swiss technology group.
Ideal for Danish organizers who want zero direct cost and a local system with Danish support and native MobilePay integration.
A long-standing option for Bulgarian professional events: strong on registration and invoicing, far from large-scale entertainment.
A solid choice for promoters with an international focus who want to tap into CTS Eventim's pan-European distribution ecosystem.
A pure specialist in a niche with its own rules: bullfight tickets with delivery and authorised sale, of no use outside that circuit.
A standout choice for nightlife, electronic music, and urban festival promoters who want to reach an active young community through its discovery app.
A multi-country ticketing platform rooted in Malta, interesting for promoters with activity across several Mediterranean markets.
A strong option for UK promoters who want marketplace visibility alongside event management tools, especially in music and nightlife.
A modern Italian cashless solution for live entertainment, with a differentiating focus on integrated fiscal compliance and event analytics for festivals and large-scale events.
A competitive option for Czech and Slovak promoters who prioritise low costs and full control over their sales, with a publicly transparent commission structure.
More a club ERP than a ticketing platform: it fits where memberships, season tickets and the shop matter as much as matchday sales.
The most deeply rooted option in the Cypriot market for local medium and large-scale events.
The most values-aligned option for France's independent music sector: affordable, cooperative and transparent — though adoption remains largely within the founding partner network.
Soundtix is a solid option for promoters in Spain looking for a SaaS ticketing solution with no fixed costs, transparent commissions and a low technical barrier to entry. Its ~10% model with Stripe included and no lock-in makes it accessible for small and medium-sized events. For high volumes, it is worth comparing against alternatives with flat or negotiated rates.
The benchmark software for theatres, museums and festivals in the English-speaking world. Its revenue-based pricing with no upfront monthly fee makes it especially appealing for growing arts organisations.
A solid choice for Benelux venues and promoters looking for a local alternative to Eventbrite with fixed pricing and full ownership of audience data.
The benchmark for the Swiss ticketing market for promoters seeking maximum national distribution. The alliance with Ticketcorner strengthens coverage across the whole of Switzerland.
StubHub is the global reference for person-to-person resale, with enormous supply in sports, music and entertainment. Its dynamic buyer fees (estimated at ~28%) are among the highest in the sector. For event organisers, it is not the right platform. For buyers of sold-out tickets, it is a common choice — though always check the final price with all fees included.
An Estonian platform with a sector history, undergoing a rebrand to broaden its reach in the Baltic market.
A leading platform for trade shows and congresses that prioritise structured networking and AI matchmaking among participants.
An autonomous cashless solution for events with no connectivity requirement, particularly well suited to festivals and outdoor events in areas with limited internet access.
A useful discovery channel to fill capacity, closer to a leisure comparison site than to a management tool for organisers.
A leading Belgian reference for large-scale ticket distribution at festivals and major events, particularly in the Flemish region.
The benchmark platform for large non-profit cultural institutions seeking a comprehensive management system governed by and for its own member community.
Dissolved company (Sept 2024). Not recommended as an active provider. Consider alternatives such as PlayPass by Weezevent, Glownet or Intellitix.
A Paris-region option for French-speaking organisers looking for a platform with local support covering France, Belgium and Switzerland.
An accessible option for small-volume Dutch organisers who prioritise simplicity and a quick setup.
A mature suite for visitor attractions with complex operations: strong on capacity and channel control, with unusual international reach for a Spanish vendor.
An Andalusian regional ticketing platform with a steady cultural catalogue: good for regular venue programming, with no national-scale ambition.
The primary Bulgarian ticketing marketplace; verified company in Sofia with national event coverage.
A niche option for cultural promoters in Austria seeking a distribution channel with an established local audience and tickets sold at the original price with no buyer surcharges.
An excellent option for German-speaking promoters who want to sell tickets under their own brand without a third-party marketplace, with full flexibility on fee structure.
A Milan-based ticketing marketplace with national reach in Italy, suitable for promoters seeking multi-channel distribution under a certified platform.
A regional solution for promoters in Rhineland-Palatinate and Saarland who need local distribution with a physical presence at box offices across the region.
Ideal for small to mid-size promoters who want predictable costs without paying a percentage on every sale.
A sensible option for cultural centres and municipal auditoriums that need a mixed online and on-site box office at a known price.
An alternative to the dominant operator in Cyprus; useful for promoters looking to diversify sales channels in the Cypriot market.
A suitable option for promoters seeking a foothold in the Greek market with a focus on Corfu and the Ionian Islands, though its geographic reach is more limited than national platforms.
A competitive option for Danish and Nordic promoters looking for a modern platform with a strong user experience.
Flat pricing that is easy to model plus uncommon extras like volunteer planning; the unpublished address undercuts trust.
The fast way into Ticketcorner's reach without negotiating a contract; in exchange you operate inside the market leader's ecosystem.
A strong pick for promoters seeking a Nordic-rooted platform with a real European footprint and local support in multiple markets.
A solid choice for promoters in Greece looking for a local SaaS platform with advanced capacity management and box office features, backed by the Cretan tech ecosystem.
The go-to platform for large-format events in Switzerland; an essential partner if you operate in the Swiss market.
An accessible option for organisers in the north-west of England and Ireland who want simplicity and low costs in their online ticketing.
A simple, no-strings option for Danish organisers starting out, with emergency support that is unusual at this price point.
A transparent, low-cost alternative for local organisations: public pricing, free sign-up and Bizum payments, with reach limited to Catalonia.
A solid choice for promoters in the DACH region who value a transparent and degressive fee structure. Particularly competitive for mid-to-high-priced tickets thanks to the progressive rate reduction.
An affordable and straightforward option for Dutch promoters seeking a fixed-fee platform with no percentage commissions. Advanced marketing features are more limited than other platforms.
A Maltese platform with a strong local identity and on-island customer service; a good option for promoters who prioritize proximity support.
Malta's most established ticketing platform, with a consolidated physical and digital distribution network across the island.
A veteran marketplace in Portugal, anchored in the SAPO/MEO ecosystem — a solid choice for promoters seeking visibility on the country's most-visited digital platforms.
The world-leading B2C marketplace with a strong presence in Spain; dominates ticket sales for large venues and renowned artists, but buyer data belongs to Ticketmaster, not the promoter.
A mature solution for Belgian and European cultural venues that need an integrated CRM and advanced audience management. Not recommended for small promoters due to its complexity and volume-based pricing.
A local Maltese platform in the process of rebranding to EventWorks; suitable for promoters in Malta with integrated cashless infrastructure.
Essential for organizers seeking to reach the Italian market: it is the reference marketplace with the highest market share in the country. Fees are negotiated individually with each organizer.
A functional German solution for mid-sized promoters operating mainly in the DACH market, with good coverage of local payment methods.
A simple alternative for UK organisers who want self-managed ticketing without significant technical or contractual commitments.
A modular Swiss option for organisers who need memberships and communications alongside ticketing, with local hosting as its selling point.
A solid option for promoters with activity across the Slovakia–Czech Republic corridor thanks to its shared regional network.
A well-established reference for ticket distribution in the Czech and Slovak markets, particularly for performing arts and major sporting events.
The established reference for ticket purchases in the Serbian market.
The most established option for promoters wanting to reach Greek audiences through both online and physical channels, backed by a local platform with a long track record.
A veteran reference in UK independent ticketing, particularly valued in the festivals and electronic music scene with its long track record from Birmingham.
The most specialised option on the market for theatres, arts centres, museums, and cultural festivals in Ireland and the UK, with an all-inclusive pricing model and no per-ticket charges.
An established Italian marketplace with broad coverage of music and entertainment events, particularly strong in the clubbing scene.
An excellent choice for amateur theatre groups, schools, and community event organisers in the UK who want a zero-cost platform with fees passed on to buyers.
A lightweight option for small-volume German organisers looking for a simple tool without high upfront costs.
A low-cost alternative for the local Irish market; well-suited to independent promoters who prioritise price over broad consumer reach.
An operational ticketing platform in the Latvian market, administered by a German entity with a focus on Latvia and Europe.
A generalist Czech platform with physical presence; promoter fees and conditions not publicly available.
TicketSwap is a fan-to-fan resale marketplace, not a solution for promoters. If you are looking for a platform to sell your tickets as an event organiser, this is not the right tool. For fans wanting to safely buy or sell second-hand tickets, it is a reliable option across Europe.
A solid product for exhibitions with timed capacity and memberships; its European footprint is limited against local specialists.
A small ticketing platform with a clear hook: accepting the youth culture voucher, which opens events to an audience others leave out.
A compact, well-integrated solution for Belgian promoters seeking self-service ticketing with cashless capabilities and no monthly overheads.
A solid choice for Scandinavian promoters looking for a mature system with integrated point-of-sale and decades of industry experience.
A London-based proposition with a strong UK-first identity for organisers who value transparency, data sovereignty and real human support.
A fan-to-fan resale marketplace with a price cap, useful for buyers seeking sold-out tickets with some protection against speculation.
The essential distribution channel to reach Finnish audiences through the country's most established ticket marketplace.
A straightforward tool well plugged into Swedish payment habits; its size and unpublished address warrant caution for large events.
A well-established alternative to Bilietai.lt for ticket purchases in the Lithuanian market.
An excellent choice for Nordic organizers who value pricing transparency and an all-inclusive model with no monthly fees.
The go-to tool for conferences and niche events where registration experience matters more than broad consumer distribution.
The ticketing reference in Iceland, essential for understanding the Nordic ticket-sales landscape.
Effectively the only digital gateway to the Georgian market in a European directory; its corporate opacity calls for caution.
The reference ticketing platform for performing arts in the Nordic countries and an expanding presence across Europe, with eleven years of specialisation in culture houses and theatres.
A specialised cashless and access-control solution for venues already running SecuTix that want to eliminate cash and paper entirely.
Robust option for large-scale promoters (festivals, sports, motorsports) who need an enterprise solution with integrated commerce beyond pure ticketing.
A ticketing marketplace with strong roots in the Canary Islands and Spain, covering leisure, cultural and sports events and primarily addressing B2C buyers.
A differentiated proposition for promoters who value audience data; winner of StartupAwards.SK in the Digital category.
A Spanish ticketing solution that benefits from Nevent CRM integration to turn sales data into actionable marketing strategies.
A complete, customisable box office solution for venues that want to sell online and at the door without relying on third-party integrations.
More than a ticketing platform, Trackage Scheme is a cultural ecosystem for Malta's alternative music scene; ideal for promoters serving indie and underground audiences.
More a corporate event platform than an entertainment ticketing tool: strong on registration and networking, weak as a public sales channel.
A proximity ticketing platform with direct organiser support: useful in its region, with no proven track record beyond it.
The most prominent ticketing platform in Bosnia and Herzegovina, with broad category coverage and regional expansion.
The most widely used public ticket sales channel in the Croatian market.
A competitively priced option for promoters looking for a no-monthly-fee ticketing SaaS backed by the Live Nation/Ticketmaster ecosystem.
An interesting technological bet for promoters concerned about ticket touting, though its market share remains emerging in Slovakia.
Built for museums from the outset, with group bookings and member discounts handled well; its base remains North American.
A veteran suite for visitor attractions running shops and cafés: strong on integrations, far from concert ticketing.
The broadest gateway to Scandinavian audiences through market-leading portals in three countries, backed by CTS Eventim's global network.
Viagogo is a resale marketplace, not a solution for event organisers. Its fees are high and prices can far exceed face value. For buyers seeking sold-out tickets, it operates in more than 60 countries, but always compare the final price — including all fees — before purchasing.
A Berlin-based proposition for organisers looking for a German technical solution focused on the buyer's purchase experience.
One of the few Nordic options that bundles ticketing and marketing in one product; a good fit for nightlife and venues with returning crowds.
A classic, complete box office system for Polish venues: strong on counter sales, distributors and season passes, with a less modern online layer.
A European ticketing platform with Italian origins and a presence in Spain, aimed at cultural, sports and entertainment venues of medium and large capacity.
The best choice for large organizers with technical capacity who need full control over the purchase experience and brand. Negotiated pricing — not suited to small events.
A solid choice for promoters in Spain who prioritize ease of use and fast onboarding.
Wegow is an interesting option for promoters in Spain who want to be present on a concert marketplace with its own audience, without giving up sales management tools. Its hybrid profile sets it apart from pure SaaS platforms and from marketplaces without tools. Commission information is not published on its website, so contacting them directly is recommended.
A solid choice for French-speaking organizers or those needing integrated cashless and access control. Competitive commission with no monthly subscription.
The reference operator in Vienna and the largest in Austrian hands: strong institutional backing and presale network, with a very marked geographic focus.
A SaaS ticketing platform based in Vigo, distinguished by its integrated cashless solution, aimed at festival promoters and events with on-site consumption.
An established French solution for cultural and membership organisations seeking a local provider with experience in the French public and cultural sector.
A solid choice for promoters in Portugal looking for a local platform with native integrations to local payment methods, real-time analytics and built-in access control.
Yesplan is a venue planning tool, not a ticketing platform in the strict sense. Ideal for large theatres and venues that already have their own ticketing solution and need to coordinate production, resources and staff.
The most complete option for nightlife promoters wanting to combine XCEED's marketplace reach with Nevent's CRM and marketing capabilities.
One of the most affordable platforms in the French-speaking market for small and medium-sized events, with transparent pricing and no monthly fee. Ideal for associations, training events, and corporate events in France.
A natural fit where tickets sit alongside accommodation and tourism; its hospitality origin shows next to entertainment ticketing platforms.
It depends on your market, event type and requirements. For promoters who want data control and an integrated CRM, SaaS platforms for promoters are usually the best choice. For public-facing ticket sales visibility, B2C marketplaces are useful. This directory lets you compare the leading European ticketing platforms by commission, cashless capabilities, and data ownership.
Fees vary significantly by model and country: SaaS platforms typically charge a fixed subscription plus a per-transaction commission (between 1% and 5%); B2C marketplaces can reach 10–15% of the ticket price. Check each platform profile for fees verified at the source.
No. Nevent is a CRM and marketing platform for event promoters, not a ticketing platform. This directory lists ticket-selling solutions, which are distinct products. Some integrate with Nevent to sync attendee data.
The directory covers leading platforms active in key European markets: Spain, France, Italy, the Netherlands, Belgium and more. Each profile indicates the countries where the platform operates and is verified at the source to ensure accuracy.
Leave us your email and we will send you ideas, guides, and updates to get the most out of your marketing
Leaving?
We will email you the full audience segmentation guide for festivals and events. Free, no spam.